The Secret World of Art Tax Havens: How Billionaires Use Freeports to Avoid Taxes

In the world of the ultra-wealthy, art is more than just an aesthetic pleasure or a cultural investment—it’s a clever tax-saving strategy. As Roman so memorably quips in HBO’s Succession, Logan Roy had “like three Gaugins no one has ever seen” hidden in vaults for “tax reasons.” But what exactly are these secret vaults, and how do billionaires use them to hide art from the prying eyes of tax collectors?

Enter the mysterious world of freeports—luxury warehouses where some of the most valuable art collections on Earth are stashed, often out of sight, and beyond the reach of tax laws. These high-security facilities serve as tax havens for billionaires, allowing them to buy and hold fine art without the burden of sales tax, import duties, or capital gains tax.

What Are Freeports?

Freeports are special economic zones—essentially warehouses located in key global hubs like Geneva, Luxembourg, and Singapore. These facilities allow wealthy collectors to store their art, antiques, and other high-value assets in a tax-free environment. Since the works are technically in transit or storage and haven’t entered any particular country’s market, owners can avoid taxes they would otherwise incur if, say, they had a Van Gogh painting hanging above their mantle.

The concept of freeports originated in nineteenth-century Switzerland where extremely secure storage facilities were constructed to hold valuable commodities, as well as goods like grain, coffee, and valuable spices. In recent years, freeports have gained mainstream attention in films like Tenet and TV shows like Succession, where the characters often allude to the vast fortunes tied up in these secret vaults. In the Succession scene where Roman mentions the Gaugins, he’s referencing a common practice among the wealthy elite—art hidden in freeports for years, often never even displayed, purchased solely for investment and tax purposes.

How Do Freeports Work?

When billionaires purchase art, they can have it sent directly to a freeport instead of bringing it home. Once the piece is safely stored, it remains legally outside any country’s tax jurisdiction. If the owner decides to sell it later, they can often do so without triggering taxes that would normally apply to capital gains or the sale of luxury goods.

For example, a billionaire may buy a Picasso at an auction in London and send it directly to a freeport in Geneva. The artwork could sit there for decades, all while increasing in value, without the billionaire paying a dime in taxes.

The Global Network of Freeports

Freeports are strategically located across the globe, typically in tax-friendly locations. Some of the most famous freeports include:

• Geneva Freeport: Located in Switzerland, it’s considered the crown jewel of art storage facilities. Known for its discretion, security, and ideal tax climate, this network of buildings houses billions of dollars’ worth of art.

• Singapore Freeport: Another favorite for ultra-wealthy collectors, this facility is a hotspot for Asian and global art markets. Singapore’s attractive tax policies make it a perfect location for long-term art storage.

• Delaware Freeport: Even the United States has its own freeport in Delaware, where the state’s favorable tax regulations attract collectors who want to keep their investments out of the public eye – but not far from home for the American 1%.

Why Do Billionaires Love Freeports?

1. Tax Efficiency: The biggest draw of freeports is the ability to legally avoid taxes. Wealthy individuals can store their art without paying sales tax, VAT, or import duties.

• No Import Duties: Since the art never officially enters a country, there’s no need to pay import taxes. A Picasso purchased in France and sent directly to a freeport in Geneva, for instance, bypasses any French import duties that would normally apply if the artwork were brought into the buyer’s home country.

• No Sales Tax: In many countries, sales tax on fine art can be substantial. By storing art in a freeport, the buyer avoids sales tax, as the artwork is considered in transit and not yet “delivered” to a taxable location.

• No Capital Gains Tax: When the artwork is sold, the transaction can take place directly in the freeport without the piece ever entering a taxable country. As a result, the seller avoids paying capital gains taxes on the profit, as the sale technically occurs in a tax-free zone.

2. Privacy and Security: Freeports offer the highest levels of security. For the elite, privacy is crucial, and freeports allow their art investments to remain hidden from public view and legal scrutiny.

3. Speculation and Investment: Art is increasingly seen as a powerful investment vehicle. Pieces from masters like Monet, Van Gogh, and Rothko often appreciate in value over time. Storing them in a freeport allows collectors to buy and sell art without being hit with capital gains taxes or public knowledge of the transaction.

Ok, But What’s the Catch?

Critics argue that freeports create opportunities for tax avoidance on a massive scale, benefiting only the super-rich. These facilities have also been linked to money laundering concerns, as their opaque nature makes it difficult to track ownership and financial dealings.

A report issued by the European Parliament pointed out the potential dangers of freeports, suggesting they could be used to stash illicit funds alongside legal investments. As the art world becomes increasingly financialized, watchdogs have called for more transparency around freeports and the billions stored within.

While European freeports like those in Switzerland and Luxembourg often get the most attention, the United States has its own share of tax havens that are gaining popularity. Americans, especially those with dual residencies or interests abroad, using freeports with increasing frequency. For example, some major art collectors have opted to store their works in tax-friendly jurisdictions like the aforementioned Delaware freeport.

Are Freeports a Loophole for U.S. Citizens?

While freeports provide significant tax advantages for collectors worldwide, it’s important to note that U.S. residents are still taxable on their global income. Under U.S. tax law, even if artwork or other valuable assets are stored in foreign freeports, U.S. citizens must report and pay taxes on any income or capital gains generated from those assets, regardless of where they are physically located.

Freeports might help avoid sales and import taxes in other jurisdictions, but they don’t provide a legal shield from U.S. federal taxation. This means American collectors using freeports still need to comply with the IRS’s reporting requirements to avoid legal complications.

The Future of Freeports: Will International Regulations Catch Up?

As governments around the world start cracking down on tax avoidance schemes, the future of freeports is uncertain. Proposals for greater oversight, transparency, and reporting requirements are being discussed in places like the EU.

The UK’s ongoing debate over taxing wealthier residents more heavily could also impact those using freeports as tax havens. Although this unfolding situation is more focused on real estate and personal income, the art world may not remain immune for long.

Furthermore, the European Parliament has debated implementing stricter regulations to limit freeports’ use for tax evasion and money laundering. Some proposed measures include mandatory disclosure of ownership and transaction details, as well as regular audits of stored assets. The U.S. has also expressed interest in tightening freeport regulations, with lawmakers exploring the possibility of closing loopholes that allow art collectors to sidestep taxes. These legislative efforts could significantly reshape how freeports operate, reducing their appeal.

Freeports remain one of the most fascinating and controversial tax strategies used by the uber-rich today. From their portrayal in Tenet to the whispers in Succession, these vaults are not just a place for art—freeports represent a powerful tool in the realm of global finance. While they offer legal tax evasion, they are facing more and more scrutiny from regulators and art world insiders alike.

As the art market continues to grow, and freeports become more popular, we can only wonder: Will the billionaires of the future burn their Gauguins for the insurance money, as Succession’s Karl suggests? Or will they continue to find clever new ways to hold onto their treasures, hidden behind layers of concrete and tax law?